After two outstanding early albums, Pablo Honey and The Bends, Radiohead offered us in 1997 an album that would revolutionize rock music, put the record straight. Following the grunge movement of the early decade when guitars with distortion ruled, the band came to us with an album containing some more subtleties and textures. We can still find good guitars, as they had offered before, except that they are now better placed and alternating with an acoustic and a little softer sound complemented by the beautiful voice of Thom Yorke. To add to the richness, the band can now count on the discreet use of electronic and keyboards. The 12 compositions from this album form an indivisible whole and without weakness, while we appreciate more and more with each subsequent listen by discovering new subtleties. You'll find the hit "Karma Police", "Paranoid Android", "Subterranean Homesick Alien" and "No Surprises" you probably already know by heart. But do not worry about the ones you don’t know, because everything is impressive. The already undertaken work with The Bends now reached new heights never equaled since, either by themselves or anyone else. Radiohead has set a new standard for 2000 with OK Computer, a huge challenge for the new generations of musicians. This is certainly a record that will cross the times and be cited as an example for generations. (March 2005)

Unlike Stereopathetic Soulmanure and One Foot in the Grave, the stand-alone albums that followed his debut album Mellow Gold by only a few months, Odelay is a full-fledged album with intricate and meticulous production by the Dust Brothers. Odelay relies on a mix of found sounds and samples, but the Dust Brothers showcase Beck's ever-changing sounds, while tying together the various stylistic shifts. As with Mellow Gold, Odelay touches on disparate elements: folk, country, garage rock, grunge, electro and rap. However, everything evolves smoothly into a perfectly coherent whole. Many of the songs sound a little more complicated than they really are. They betray Beck's roots as an anti-folk singer. He reworks the structures of blues ("Devil's Haircut"), country ("Lord Only Knows", "Sissyneck"), soul ("Hotwax"), folk ("Ramshackle") and rap ("High 5 [Rock the Catskills]", "Where It's At"). But each song avoids convention, whether in its construction or presentation. While many of Beck's best songs are here, Odelay is best appreciated as a whole. A very creative album! (January 2023)

If Definitely Maybe was an unintentional concept album about the desire to become a rock 'n' roll star, (What's the Story) Morning Glory? is what happens after the dream has come true. Oasis does a relatively introspective sophomore album, filled with big, beautiful ballads rather than rip-roaring rock. Unlike its predecessor, the production on this second album is varied enough to manage the range of emotions. Instead of drowning everything in amplifiers pushed to the limit, there are strings, keyboards and harmonicas. This expanded production helps give Noel Gallagher's melodies an emotional resonance that he doesn't always manage to convey lyrically. Gallagher may be guilty of borrowing, even plagiarism, but he uses familiar riffs as building blocks and is a true genius of pop rock melody. Likewise, as musicians, Oasis are not innovators, but they have a majestic grandeur to their sound, as in the ballad "Wonderwall" or the rock song "Some Might Say". Alan White adds authority to the rhythm section, but the most notable change is that of Liam Gallagher. His vocals are more textured and skilful. He lends a hint of regret to the title track's lyrics, is sympathetic on "Wonderwall", provocative on "Some Might Say" and humorous on "She's Electric", a rewrite of "Digsy's Diner". (What's the Story) Morning Glory? is just as exciting as its predecessor, ages well and is a great listen. (January 2025)

In 1994, punk music was back in vogue thanks mainly to two bands: The Offspring, but mostly Green Day. The latter, which had only issued independent records previously, offered us a first album widely distributed and would conquer the whole world in the following months. With 14 tracks, all effective, including the hits "Basket Case", "Welcome To Paradise" and "When I Come Around", Dookie is one of the most enjoyable albums to listen to in full and repeatedly. This album would inspire a whole new generation of pop/punk musicians and Green Day would become one of the most cited groups as inspiration by new artists. Even if the band has released other high quality albums later, none would be able to match the genius of Dookie, an incomparable must-have album in your collection. (July 2005)

In 1991, when rock music was becoming increasingly boring and predictable, a music video appeared that would create a stir and catch the attention of a wide audience, "Smells Like Teen Spirit" by a band from Seattle called Nirvana. This band with punk influences would lead a new musical wave, grunge, with bands like Pearl Jam, Soundgarden and Alice In Chains. Nevermind, produced by Butch Vig, is considered by many to be the album that allowed the rock to survive when it needed it. Almost all of the 12 tracks included on this record became successful at one time or another, either in their original form or in a live version (electric or acoustic). In addition to "Smells Like Teen Spirit", one cannot ignore the brilliance of Kurt Cobain, Kris Novoselic and Dave Grohl on classics like "In Bloom", "Come As You Are", "Breed", "Lithium", "Polly", "Drain You", "On A Plain" and "Something In The Way". Forget weaknesses on this album that proves that perfection can indeed exist. This is an album you can listen to repeatedly tirelessly, an album that the band itself was not able to match later in their short career brutally interrupted by the death of Cobain in 1994. The symbol of excellence in the 90s, Nevermind remains today a legendary album in rock music, an album that will pass through history as having been among the bests. To learn more about Nirvana, you can visit the musicography about the band at the following address: www.musicomania.ca/nirvana. (April 2005)

When Pearl Jam appeared on the music scene in 1991, they were immediately compared to Nirvana, Soundgarden and Alice In Chains and qualified as a grunge band, since all these groups came from the same town of Seattle. Yet they were all quite different. Pearl Jam would get inspiration into the hard rock of the 70s, offering us a sound both hard and introspective. With the unique voice of Eddie Vedder and a very characteristic guitar sound, the band was able to pave the way for an extraordinary number of bands of the 90s and 2000s. Ten is the best example of a perfect album since it contains no weakness, can be listened to completely with pleasure and contains many of the best songs of the band’s career ("Even Flow", "Alive", "Black", "Jeremy", and so on), still the most popular on stage. The second portion of the CD, a little more introspective, brings us literally in a parallel universe where only Radiohead may have had the secret afterwards. Despite some good albums after this one, Pearl Jam were never able to match the quality and success of Ten which remains the quintessential album of the group. (May 2005)

In 1989, at a time when the hair of the musicians seemed more important than the quality of their compositions, a band has surprised everyone with a different album, Faith No More. Despite an excellent record released two years earlier (Introduce Yourself), they had not managed to get out of the underground. But with The Real Thing, the band moved to the other side with a huge success and many awards. They were originally one of the first bands to mix rock and rap on the hit "Epic". They also presented a creative sound on catchy tracks as "From Out of Nowhere", the excellent "Falling To Pieces" the heavy "Surprise! You're Dead!" and the varied "Zombie Eaters". They have dared to cover a Black Sabbath classic, "War Pigs", they have been able to appropriate cleverly, so much so that some young people at the time believed that it was a Faith No More song, not having known the original released almost 20 years before. In this group people were discovering, you could hear a promising young singer named Mike Patton. He became known in later years for his eclecticism in bands like Mr. Bungle, Fantômas and Tomahawk to name a few. With The Real Thing, Faith No More showed us a 55-minute album without weaknesses, creative and varied, which allowed us to forget that American rock bands who reigned as kings at the time were Bon Jovi and Poison and that all the artists from the 70s (with rare exceptions) were unable to issue an interesting album at that time. Faith No More was a pioneer of the alternative movement that would develop in the 90s led by the grunge from Seattle. They would themselves contribute to the movement in 1992 with the excellent album Angel Dust some people even prefer to The Real Thing. (June 2005)

In 1987, when rock music was immersed in a sea of hard rock, a band of bad boys has emerged with a sound that was different from the mass. They threw us: "Welcome to the jungle!", to use the first title of Appetite For Destruction. The first radio hit with an unforgettable guitar riff, "Sweet Child O' Mine", which was presented to radios in a shortened version compared to the original album, allowed the band to reach a wide audience. Yet the attitude of the guys had nothing really enviable and it was a pretty bad example for youth, since drugs and alcohol were freely used within the band. This is also one of the reasons why the band, led by singer Axl Rose and guitarist Slash, released only two real albums after that and disbanded (most members are now part of Velvet Revolver without Axl). But back to Appetite For Destruction which is a perfect hard rock album containing 12 tracks totaling 54 minutes. The songs are linked together beautifully and each one seems better than the previous one. Rock ‘n’ roll is king and few albums since that time have managed to present a rock sound both as raw and perfect. The style has lost vigor in the 90s with the advent of grunge that has transformed the way of playing for several musicians. But Appetite For Destruction remains the great hard rock album that is the benchmark in the genre. A must! (September 2005)

After having produced a successful album with Off the Wall in 1979, Michael Jackson was determined to reach the top three years later with Thriller. He has fully achieved his goal by selling over 45 million copies of this album. Thriller thus became the biggest selling album in history and would be recognized by the Guinness Book of records that would encrypt these sales to 65 million. It is nothing less than 7 of the 9 songs of the album that were released as singles to become successful. The three most important of them inspired revolutionary music videos, real short movies that have changed the way to produce a music video for future generations. This is "Beat It", "Billie Jean" and the title track. Among the other hits, we must also consider the exceptional collaboration of Paul McCartney (the former Beatle) for "The Girl Is Mine", which would lead to a participation of Jackson to the next album of McCartney. Thriller has no weak moment while the tracks are linked together beautifully alternating light pop and a bit more pop rock. Jackson was certainly at the top of his creativity at that time and this album was going to crown him as the King of Pop. In February 2008, to mark the 25th anniversary of the release of the album, a new edition was issued, Thriller 25 with 2 choices of front covers, classic and zombie. This new version of the album includes, in addition to the remastered version of the original 9 tracks of the record, 5 songs re-recorded with artists of the 2000s: will.i.am (2), Akon, Fergie and Kanye West. They are all particularly good, the least effective being "Billie Jean" with Kanye West which is frankly boring. There is also as a bonus a never-released song from the album recording sessions, "For All Time". A DVD is also included which contains the complete music videos of "Billie Jean", "Beat It" and "Thriller", as well as his performance of "Billie Jean" at the Motown 25th anniversary concert, the label on which Michael recorded his first albums with his brothers. Thriller 25 is doing full justice to this classic album in the history of music. It is particularly interesting as the original edition of the album is no longer available. A must! Visit the musicography about Michael Jackson here: http://www.musicomania.ca/michaeljackson. (May 2008)

After the band's best album to date in Highway To Hell and the death of their lead singer, Bon Scott, it could have very well be the end of AC/DC in 1980. However, the group worked hard, hired the "screamer" singer Brian Johnson and quickly released the album that was going to rank among the legends of rock, Back In Black. The band had already begun in recent years to distance over its blues influences and the style of AC/DC was really going to be immortalized on the album. They would constantly try later to copy themselves by repeating a new Back In Black, but with not much success. The bell that announces "Hells Bells", the first song of the album, also announced the end of an era and the beginning of a new one for AC/DC. Then, try to find weaknesses on this album and you'll have a hard time. With tracks like "Shoot To Thrill", "Givin the Dog a Bone", the mega-hit "You Shook Me All Night Long" and the title track, moments of respite will be rare. If you do not know AC/DC, you only need to start with 2 albums: Back In Black and the 2-CD version of Live that will demonstrate their energy in concert. Please note that Back In Black was digitally remastered and re-issued in 2003, which will give you a refreshed version of this classic. As with all the other re-issues of AC/DC’s albums, the CD gives you access to new content on the band's website. It includes an interview with Brian Johnson, three music videos and more... (November 2005)

Give 'Em Enough Rope, for all its qualities, was essentially an appetizer for The Clash, but the double album London Calling is a remarkable leap forward, incorporating punk aesthetics with rock 'n' roll mythology and roots music. The Clash had already experimented with reggae, but that was nothing compared to the dizzying array of styles on London Calling. There's punk and reggae, but also rockabilly, ska, R&B, pop, lounge jazz and hard rock. While the record is not tied to a specific theme, its punk eclecticism functions as a rallying call. "London Calling", "Spanish Bombs" and "The Guns of Brixton" are explicitly political and revolutionary, but the album is also invigorating and energetic, despite its length. Throughout the record, Joe Strummer and Mick Jones (and Paul Simonon, who wrote "The Guns of Brixton") explore their familiar themes of working-class rebellion and complaints against the establishment, but they also connect them to the old traditions of rock 'n' roll and rockabilly. The result is one of the greatest rock 'n' roll albums ever recorded. Released in mid-December 1979, the record is considered by many experts to be one of the greatest albums of the 1980s. (March 2025)

Although the punk movement started in the United States, it is the appearance of the Sex Pistols in London that really triggered the whole wave now known as "1977 punk". The Sex Pistols are considered by many as one of the few real punk bands in history, not only because of their music, but also by their attitude. What is special with the legendary band, it’s that they offered us only one studio album, but what an album! Never Mind The Bollocks Here's The Sex Pistols is the perfect example for any band wanting to record a punk rock album. Raging rhythms, provocative lyrics and terribly effective 3-minute songs make this one album an incredible collection of hits. Whether the opening song, "Holidays In The Sun", or "Problems", "God Save The Queen", "Anarchy In The UK" and "Pretty Vacant", they were all covered, copied and banned dozens of times in the past 30 years. The album gives us no break and offers us the most intense 38 minutes of our lives. The Sex Pistols therefore presented a key album in the rock world. To learn more about the band, visit our musicography: www.musicomania.ca/sexpistols. (2005)

After almost taking off with Get Your Wings, Aerosmith finally perfects its mix of Rolling Stones-style mockery and Led Zeppelin-style riffs with its third album, Toys in the Attic. Not only does Joe Perry produce indelible riffs like "Walk This Way", "Toys in the Attic" and "Sweet Emotion", but Steven Tyler makes sleaze his artistic muse. Drawing on dirty old blues with "Big Ten Inch Record", Tyler writes with joyous impudence about sex throughout Toys in the Attic, whether it's the adolescent caresses of "Walk This Way", the promiscuity of "Sweet Emotion" or the double entendres of "Uncle Salty" and "Adam's Apple". The rest of Aerosmith, led by Perry's dirty over-the-top riffs, provides appropriate fat backing. Aerosmith takes a lot of inspiration from the Rolling Stones, the New York Dolls and Led Zeppelin, but no other hard rock band sounded like them before Toys in the Attic. Aerosmith are a gutsy, streetwise hard rock band with the blues in their blood, and they're all about having fun. On Toys in the Attic, the band is definitely at the top of its game. (January 2025)

Pink Floyd followed up the commercial breakthrough of The Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of "Shine on You Crazy Diamond" reveal its melodic motif. In its leisurely pace, the album reveals itself to be a warmer record than its predecessor. Musically, it is arguably even more impressive, showcasing the band's interplay and David Gilmour's solos in particular. Although it has few songs, Wish You Were Here features long, winding soundscapes that prove consistently captivating. If it hadn't appeared in the shadow of The Dark Side of the Moon, which is still very much on the charts, it could have become the ultimate Pink Floyd classic. A masterful album! (February 2025)

During their career, Queen gave us good and less good albums. But, one is largely out of the lot: A Night At The Opera. Released in 1975, the album reuses the hard rock elements, or even metal, of Sheer Heart Attack, but bringing it in a real rock opera. The band uses many instruments and specific arrangements to offer us an extraordinary music richness. Queen remains metal on "Death On Two Legs" and "Sweet Lady", but they also offer the simple pop music hit "You're My Best Friend", perhaps their most beautiful love song, composed by John Deacon. Brian May is much more mystique on the almost country "'39" and the progressive with psychedelic accents "The Prophet's Song". The ballad by Freddie Mercury "Love of My Life" remained for many years a favorite on stage. Finally, the group presents music hall with "Lazing on a Sunday Afternoon" and "Seaside Rendezvous". All this blend of creativity finally gathers in the final piece, "Bohemian Rhapsody", the most popular song of all the band's career. In 2005, a new edition of the album with a DVD was issued. The DVD contains a stunning 5.1 surround sound, which further improves the quality of the album. In fact, it is totally unnecessary to listen to the stereo version with such a version in hand. Visual accompanies each song, whether the original video, live footage or any other footage. It is also possible to hear comments by the band members. This version is perfect to obtain a great music experience. To learn more about Queen, visit the musicography: www.musicomania.ca/queen. (December 2007)

By condensing Meddle's sonic explorations into real songs and adding lush, immaculate production to their most trippy instrumental sections, Pink Floyd inadvertently created their commercial breakthrough with The Dark Side of the Moon. Roger Waters has written a series of songs about mundane, everyday details that aren't very impressive in themselves, but which, when accompanied by Pink Floyd's slow, atmospheric soundscapes and carefully placed sound effects, find emotional resonance. But what gives the album its real power is its subtly textured music, which evolves from heavy, neo-psychedelic art rock to jazz fusion and blues rock before returning to psychedelia. It's dense in detail, but quietly paced, creating its own dark, haunting world. With The Dark Side of the Moon, Pink Floyd proved that with a little concentration and perfect collaboration, you can deliver a masterpiece. The Dark Side of the Moon still holds the record for the most consecutive weeks on the Billboard Top 200 chart, with 724 weeks to April 1988. Over 200 more weeks were added at various times thereafter. (June 2023)

In 1972, David Bowie decided to create an androgynous character he called Ziggy Stardust. He introduced the concept album The Rise and Fall of Ziggy Stardust and the Spiders From Mars, a masterpiece out of its time that would revolutionize the genre and definitely put Bowie on the map. The character would again appear one year later on Aladdin Sane before he made him disappear on stage at the end of the next tour. The album commonly called Ziggy Stardust forms an inseparable whole of 11 tracks. Each song has indeed its importance and its role to play on the record, from "Five Years" to "Rock 'N' Roll Suicide" through "Moonage Dream", "Starman", "Lady Stardust", the rock ‘n’ roll "Suffragette City" and the hit title-track. We can say that David Bowie has explored many genres during his career, often before they become fashionable, but the glam rock of the Ziggy Stardust era was likely to be his most creative and most prominent period (although some fans prefer the Berlin trilogy in the late 70s in collaboration with Brian Eno). In my opinion, Ziggy Stardust remains the ultimate Bowie, the one that started it all, but also the one which has put the expectations higher on him for the rest of his career, often making him unpopular among the critics despite his overflowing creativity and forward thinking. For more information about David Bowie, you can visit his musicography: www.musicomania.ca/davidbowie. (April 2008)

Paranoid is not only Black Sabbath's most popular album, but also one of the most influential heavy metal albums of all time. It was #1 in the UK, then the title track and "Iron Man" found their way into the U.S. charts, despite almost non-existent radio airplay. Paranoid refined Black Sabbath's characteristic sound: sinister melodies in minor keys, crushing volume and a style loosely based on blues rock. The whole album is coherent, and Tony Iommi's riffs are memorable, with most of the songs now considered metal classics. Whereas the long, multi-sectioned pieces on the self-titled debut sometimes sounded like aimless jams, those on Paranoid are more focused and to the point. They lend an epic quality to classics such as "War Pigs" and "Iron Man", the latter containing one of the most instantly recognizable riffs in metal history. The subject matter is obsessively dark, covering both supernatural and science-fiction horrors and the real-life traumas of death, war, nuclear annihilation, mental illness, drug hallucinations and narcotic abuse. All themes that will recur in the metal of future generations, so Black Sabbath can definitely be considered the founders of heavy metal. Monolithic and primitively powerful, Paranoid defines the sound and style of heavy metal more than any other record in rock history. (January 2025)

Recorded largely without Brian Jones, who died several months before the album's release (although he played on two tracks) and was replaced by Mick Taylor (who also only played on two tracks), Let It Bleed extends the rock and blues atmosphere of Beggars Banquet into slightly harder, more sexual territory. The Stones were never as consistent on record as their main rivals, the Beatles, and Let It Bleed suffers from some rather superficial tracks, such as "Monkey Man" and a country version of the classic "Honky Tonk Woman" (here entitled "Country Honk"). Still, some of the songs featured are among their best, including "Gimme Shelter", with its shimmering guitar lines and apocalyptic lyrics, the harmonica-driven "Midnight Rambler", the title track with its drug-addled party atmosphere, and the breathtaking "You Can't Always Get What You Want", which was something like the Stones' "Hey Jude", with its epic structure, brass, philosophical lyrics and powerful choral vocals. By contrast, Keith Richards' "You Got the Silver" (his first lead vocal) and Robert Johnson's "Love in Vain" were as close to the roots of acoustic blues as the Stones ever got. This is the Rolling Stones' #1 classic album of the 1960s! (April 2025)

On Pet Sounds, the Beach Boys reached a whole new level in terms of composition and production, layering track after track of vocals and instruments to create a richly symphonic sound. Keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, organs, harpsichords, flutes, theremin, Hawaiian stringed instruments, cola cans, barking dogs, etc. The album wouldn't have been a classic without great songs, and these contain some of the band's most stunning melodies, as well as lyrical themes that evoke both the intensity of budding love and the disappointment of failed romance, in addition to some sweeping statements about the loss of innocence and the confusion of modern times. The quality of the material is bolstered by some of the finest upper-register male vocals (especially from Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice", "God Only Knows", "Caroline No", and "Sloop John B" (which was not originally intended to be on the album) are the best-known hits, but other tracks are just as worthy ("You Still Believe in Me", "Don't Talk", "I Know There's an Answer", "I Just Wasn't Made for These Times"). Pet Sounds is often said to be more a Brian Wilson recording than a Beach Boys recording (studio musicians played most of the tracks), but it should be noted that the vocal harmonies are still pure Beach Boys (and some of their best). Highly influential upon its release (although it sold relatively few copies compared to their previous albums), Pet Sounds immediately propelled the band to the forefront of rock innovation, particularly in the UK where its success was greater than in the US. (February 2023)