After having presented an exceptional album in
2004 with
Funeral, the band from
Montreal Arcade Fire must try to progress with a whole challenge on
its arms, to resume offering a record of such quality.
Neon Biblebrought us
completely elsewhere with a dark album, often difficult of access.
For its 3rd opus, the group returns to a very “suburban” melancholy,
with simple, but so effective melodies. While listening to the
title-song, one can hear an obvious influence of the 1960s. 1970s
pop also comes to our mind on several occasions with David Bowie
never hiding well far behind the influences of the band. Not
surprising that Bowie is their number one fan. A little less
theatrical than the previous records, The Suburbs presents
less great orchestral moments to concentrate on more sober
recordings, centered on guitars and melodies. In spite of the great
melancholy which furnishes the 64-minute album, the unit remains
luminous, much less dark than
Neon Bible. In that sense, one can
a little more easily compare it with their masterpiece of 2004. On
the other hand, the 16 tracks are not all at the same level and they
could have cut off some to give even more power to the CD. We can
hear anyway a good number of great songs like “Ready to Start”,
“Suburban War”, “Sprawl II (Mountains Beyond Mountains)”,
magnificently interpreted by Régine Chassagne, and of course
the title-song in opening with a reprise in conclusion. The group
explores genres we never really knew about them until now: rock 'n'
roll (“Month of May”) and folk (“Wasted Hours”). This 3rd recording
by Arcade Fire constitutes once again a very great success and it
will appear undoubtedly among the best albums of the year,
especially after several additional listens.
Big Boi - Sir Lucious Left Foot… The Son of Chico Dusty
It will have taken a few years for this
Outkast member to produce his true first album. A change of
label and many leaked tracks indeed delayed all the process. But
here is finally the so much awaited record for fans of rap. Sir
Lucious Left Foot… presents an extremely creative rap with short
tracks of a great effectiveness. It’s very varied and particularly
rich musically with a good mixture of hip hop and R&B. “Turns Me
One” quickly seduces us before the excellent hits “Follow Us” and “Shutterbugg”.
The unique beat of “Tangerine” makes of it also one of our favorite
ones and it has everything necessary to become a great hit. Big Boi
gives us an intelligent and entertaining album at the same time,
probably the best rap album of the year until now. Don’t hesitate a
second!
After the success of
Ta-Dah, thanks to “I Don't
Feel Like Dancing”, we didn’t really know what to expect with a new
album by the band from New York City. Especially that the Scissor
Sisters had almost completed an album before they decided to throw
it away and to start from the beginning with producer Stuart
Price (Madonna,
Pet Shop Boys). The group drops the piano we could hear on
the previous record and returns to a sound reminding us of their
excellent first album. It indeed contains a superb mixture of rock
and dance music of the 1980s, with always a key of disco here and
there. We cannot find instantaneous hits like “I Don't Feel Like
Dancing”, but it’s the coherence of the ensemble which is catching
our attention and is seducing us. However, almost each track of the
CD has a commercial potential with good beats and unforgettable
melodies. Once again, the Scissor Sisters are successful to present
us an album of very great quality.
The 10th solo album for the legend of metal Ozzy
Osbourne was to be entitled Soul Sucka, but the dissension of the
fans makes so that it’s rather Scream that is offered to us. One
never expects a masterpiece when Ozzy releases a new album and it’s
certainly not yet the case with this one. On the other hand, he’s in
great shape as if the “prince of darkness” still was forty rather than
his 61 years of age. We can hear a new guitarist in Gus G., a
power metal Greek guitarist. At the opening track, “Let It Die”, we
think that his play at the 6-string is interesting. On the other hand,
he hides quickly in the styles of Zakk Wylde and Randy Rhoads,
the guitarists who gave personality to the solo albums by Ozzy, to leave
the entire place to the singer. “Let Me Hear You Scream”, the first
single, is an instantaneous anthem clearly written to start concerts
with power including the crowd in it. Some other titles deserve our
attention like “Diggin' Me Down” and the ballad “Time”. But, a few of
other elements are worthy of interest whereas we cannot prevent
ourselves from thinking about his best solo albums or his work with
Black Sabbath. So, we think
that we should really well listen back to those classics rather than to
listen to Scream. The album of 11 tracks was entirely co-written
by Ozzy and producer Kevin Churko. Production is besides not
sufficiently colossal to make the compositions more interesting.
Kylie often separated critics in two groups and
it’s still the case with her 11th album, Aphrodite, for which
we can hear and read the best and the worst. However, if her
previous album,
X, proved to be passably unequaled
in spite of good moments, Kylie largely tightens the cohesion of the
unit on Aphrodite. Obviously, it remains the light pop sound
which made her famous, but she’s nevertheless one of the rare pop
singers to be able to produce albums of such quality. Several titles
have the potential to burn the dance floors, especially in Europe,
even if nothing can equalize her mega-hits of the beginning of the
last decade. To carry out this step ahead, Kylie is surrounded here
by producer Stuart Price (Madonna,
Pet Shop Boys) and by the authors Jake Shears (Scissor
Sisters) and Calvin Harris. The result is surprising, but
completely satisfactory. Kylie succeeds in presenting at the same
time largely effective pop songs and a cohesive album, which is
probably making of Aphrodite one of her best albums in
career.
Miley Cyrus initially became a star in the Disney
series Hannah Montana. She’s also the daughter of country singer
Billy Ray Cyrus. Now 17 years old, the teenager presents already
her 2nd album. Can't Be Tamed marks a renewal for Miley which
hopelessly tries to dissociate from her image of innocent girl. So, it’s
sexier and more woman than ever that she comes back to us, with a sound
which wants to be also more adult. The music remains pop, but a little
darker, and it ventures somewhat in rock territories. She covers
effectively the Poison classic from 1988 “Every Rose Has Its
Thorn”. Unfortunately, this side a little darker removes pleasure while
we listen to the album. They are effective pop songs, but it seems that
with too much trying to change her style, she loses all her joie de
vivre. Potential hits remain numerous and there is sufficient accessible
material to preserve a good part of her young female fan base. She also
has a solid voice and all the qualities necessary to catch the attention
of the public of Ke$ha, Britney or Katy Perry. When
she really reaches her so much desired maturity, she will be able to
thus aspire to great honors.
Here is the 6th album by California metal band
Deftones, a group which has existed for more than 20 years. Nothing from
them really succeeded in catching my attention since the excellent
White Ponyissued 10 years ago.
Awaiting thus proved to be rather large towards Diamond Eyes. It
will have been necessary to wait 4 long years since their last record,
but it should be said that bad luck struck the group during that period.
Initially, bass player Chi Cheng underwent severe wounds in a car
accident in November 2008, which forced the band to take a hiatus,
before continuing the tour with Quicksand bass player, Sergio
Vega. They even recorded an almost complete album with him before
destroying it. On Diamond Eyes, Deftones explores a little more
atmospheric environment, even if it doesn’t leave obviously aside its
aggressiveness and its dark side. The more luminous or deep moments come
to balance the rough aggressiveness characteristic of the group since
the beginning of its career. It’s thus a mature album which brings
Deftones elsewhere, in an unexplored territory until there. Even if few
titles arise from the batch, the unit is largely satisfactory and it
will please fans of intelligent metal music.
Brothers is
already the 6th album by the minimalist duet The Black Keys, which
however exists since less than 10 years. After their weakest album
with Attack & Release in 2008 (possibly their only moment of
weakness to date), here is that the duet returns at the top of its
art. The Black Keys somewhat leave aside their psychedelic
tendencies to concentrate on the blues influences which made their
trademark at their debut. We cannot even talk about a return to the
sources since they take another step ahead. This time, they go in a
direction a little more accessible and they present us finally a
true hit in “Tighten Up”, largely helped by a TV ad. In addition to
several titles influenced by the 1960s like “Unknown Brother”, the
duet covers the Jerry Butler song “Never Gonna Give You Up”.
On Brothers, The Black Keys succeed in amalgamating perfectly
influences of the past with a modern sound of a great creativity.
It only remains to applaud…
The rock band from Nova Scotia is back with its 4th
album. Rather dark on its previous records, Wintersleep lets predict a
turning a little lighter on New Inheritors. It’s true on some
occasions, thanks to a rock sound a little more accessible, a little
less tortured, which is not without reminding us of the Tragically
Hip. On the other hand, the unit can be somewhat destabilizing with
a sometimes odd mixture of rhythmic pop songs and more experimental
pieces which can be stretched in length. Their fans will find on certain
occasions the sound they liked, but they will probably have problems to
understand the direction their favorite group is trying to take. The
addition of string and horn sections brings some kind of a musical
richness to the album, but it comes to create a dissonance with the
rather rough style of the band. If “Black Camera” is a guaranteed hit, a
few other parts really catch our attention. When the album is ending,
one remains pensive in front New Inheritors, a CD that is
difficult to analyze, but which should obtain some success anyway.
Infected Mushroom is an Israeli duet established in
Los Angeles, California which is presenting to us techno trance
underground music since already many years. The Legend of the Black
Shawarma constitutes their 7th album indeed. More than ever, the
duet returns to its rock and metal influences whereas one can hear
Jonathan Davis (Korn) on “Smashing the Opponent” and Perry
Farrell (Jane's Addiction, Porno For Pyros) on
“Killing Time”. It should be said that their rock influences always had
a place of choice in their techno sound, regularly bringing them in the
playground of industrial music. Besides, “Can't Stop” presents this
energetic style with guitars quite present and electronically worked
over voices in the Ministry style. The 78-minute long album
concludes with a remix of “Riders on the Storm”, a classic by The Doors.
For those who like creative underground electronic music, Infected
Mushroom deserves that we pay a detailed attention to them. Fans of
industrial music should also listen to this single duet.
Off With Their Heads is an American punk rock band
offering its 2nd album, the first on Epitaph, Brett Gurewitz
having signed them because he liked them a lot. They present a raw punk
sound inspired by Bad Religion and other punk rockers of the
genre. In Desolation includes 12 titles adding up less than 34
minutes. Several tracks present a unique energy, worthy of the greatest
punk groups (“Drive”, “Their Own Medicine”, “All I Can Do”). Other
moments a little slower can remind us of the Ramones
in the 1980s (“I Just Want You To Know”). The unit is very pleasant to
hear and it will undoubtedly be great for the nostalgic ones of the punk
sound of the 1980s, before punk became pop.
We
Are The In Crowd is a very young band formed only in 2009. They offer us
a first EP, just to make their already many fans wait patiently, since
they had the chance to discover them on MTV thanks to their hit “For the
Win”. The group offers us an energetic pop punk sound of a great
effectiveness alternating between a female and male voice. The 7 tracks
included here for a total of 22 minutes definitely catch our attention
and make us eagerly awaiting a full-length album by them. To discover!
The
Guilty Brothers Experience is a band from Brussels, Belgium which is
offering his very first full-length album. The group presents us a rock
sound, sometimes rather heavy, with many moments of experimentation and
some Eastern influences. Difficult to describe, their music can be
compared with a mixture between Led Zeppelin,
Pink Floyd,
Radiohead, The Mars Volta and Queens Of The Stone Age.
This is an intelligent rock sound and it’s necessary to listen to it
attentively to be able to really appreciate. With its 12 songs adding up
58 minutes, TGBE! is a particularly successful first album.
½
David Murray
and The Gwo Ka Masters - The Devil Tried To Kill Me (2009)
Jazz
saxophonist David Murray joins Gwo Ka Masters again, after the
dithyrambic reviews received for the album
Gwotet in 2004. Their African
percussions marry perfectly with the music of Murray. The Devil Tried
To Kill Me also represents the 3rd album of Murray plunging in the
culture of the island of the Guadeloupe, an adventure started in 1996.
To supplement the portrait, two artists of reputation come to lend their
voices to some songs of the album: Taj Mahal and Sista Kee.
The album contains six tracks and we can find in bonus a radio version
of the songs “Africa” and “Southern Skies”. The sound of the album is
often funky, with a unique heat and a beat typical to the Caribbean.
It’s an interesting record for any jazz fan, without however having the
potential to make history.
Even
if
Hard Candywas far from being a
first quality album for Madonna, she had to embark on another huge tour.
After all, it’s how she earns all her money! Warner issued a CD/DVD
combo from that other successful tour by Madonna. In fact, it’s probably
the DVD that does all the work, but as I didn’t receive it, I will talk
to you about the CD today. The CD presents unfortunately half the
material of the DVD. Moreover, these are especially medleys that we can
hear on this, rather than the hits of the queen of pop. We nevertheless
find new versions of some of her hits, like “Vogue”, “Music”, “La Isla
Bonita” and “Like a Prayer”. “Give It 2 Me” and “She's Not Me” are among
the rare interesting moments of this CD recorded live in Buenos Aires in
2008.
The Kinks
- You Really Got Me: The Story of The Kinks
Even if they were always in the shade of The Beatles, The Rolling Stones and
The Who, The Kinks were undoubtedly among the most
influential bands of the modern era. They influenced as much britpop
and new wave than punk rock and even metal. This 88-minute
documentary presents a complete portrait of the English group
through footage in concert, on TV or in videos. This footage offers
sometimes the full song, even if in some occasions we can find
narration covering it partly. Production is indeed one of the weak
points of this DVD whereas we can hear only the beginning of a piece
or that the narration reflects more or less what we hear in the
back. On the other hand, in spite of these details sometimes
disappointing, the documentary succeeds in well depicting the career
of The Kinks which we can divide into 4 waves, until their stopped
in 1996, even if the band never officially dissolved.
The famous bass player of the British punk rock
band Sex Pistols died
in the controversy of a heroin overdose, a few hours only after
being released from prison on bond. He had indeed been accused of
the murder of his girlfriend, Nancy Spungen. The heroin abuse
he did that day, whereas his body was completely cleaned of it for a
certain time, will have caused his loss. They are these last 24
hours which are analyzed here in the least details, with a
dramatization of the events. On the other hand, where this DVD
becomes interesting, it’s that it brings a new element which had not
been revealed about that famous evening of February 1979. This
element makes the light over the 2 last hours of his life that were
not clear before that. Well documented and supported by testimonies
of his friends that were present at the time of that last evening,
this 52-minute film brings a lot of interesting information about
the character and the thoughts which animated him throughout his
last hours. This DVD is necessary for any fan of punk rock and the
Sex Pistols.